Date Published: 05-15-2026
Publisher: RMK Publications
Lucy wasn’t smiling like she used to when she folded her letter, slipped it into the envelope, sealed it with a kiss, and applied the three-cent stamp. Even the spring in her step lacked the zeal she typically exhibited during her walk to the post office. The words on the paper were true to her commitment. They spoke of the news from the home front, stories that helped Stan’s morale, and made sure her underlying message was being proud, supportive, and encouraging. The words wandering around in Lucy’s thoughts, however, were in stark contrast to this messaging.
Ever since Stan was assigned to the navy radar training school, Lucy had become more and more unsure in her belief that things would be okay. His work as an Aviation Machinists Mate stateside meant he was safe. And Minneapolis was relatively close to home. Being trained as a radarman for shipboard duties meant it was more likely he would be sent overseas into a combat zone. This caused a higher level of worry. Like everything else this war has put in short supply, her ration of optimism was slowly being depleted, and the resources for replenishing that reservoir were becoming scarce.
Her quandary was not letting Stan know about this foreboding, even though he was normally her most trusted sounding board. She tried to talk about this with her sister Millie. But Millie’s approach to these heartfelt struggles was to fix them, make them go away, or advise Lucy, “Try not to think about it.” This was not the type of support Lucy needed.
During her alone time, sitting staring out the window, the overwhelming emotion that prevailed over all others was that she really missed her husband. She now knew what being heartbroken felt like.
About the Author
Fortunately, he overcame his initial stage fright and began accepting roles in community theatre, the parts of Oscar Madison in “The Odd Couple” and Ivan Lomov in “The Proposal” among his favorites. He studied acting in New York City and performed in a couple of Off-Off Broadway productions including Sam Shepherd’s “Buried Child,” where he played the crotchety, whiney patriarch, Dodge (a part for which his wife felt he was uniquely suited).
He wrote and produced plays for children, awarding roles to his sons and other kids in his neighborhood (earning the gratitude of their parents who considered rehearsals free babysitting). He started writing adult plays and received a number of accolades including an honorable mention in the 2020 Bridge Award contest sponsored by Arts in the Armed Forces (AIAF) for his full-length play, “The Stars of Orion” and selection as the winner of the 2022 Susan Hansell Drama Award for his one act play, “Monarch.”
But the logistics of staging plays proved too time consuming. In his early 30's he started writing short stories and flash fiction pieces and submitting them for publication. Many of the stories presented in this collection have been published in online magazines and anthologies, and some have achieved recognition, most notably, “The Secret of the Smiling Rock Man,” First Place, National Federation of Press Women’s Communications Contest (2022); “They Only Showed Elvis from the Waist Up,” First Place, Southwest Writers Writing Contest (2023); and “Running Errands,” Finalist, Hemingway Shorts Competition, sponsored by the Ernest Hemingway Foundation of Oak Park (2023).
Joe invites you to read more of his work and follow his anything-but-straight-line career at joecappelloauthor.com.
